?Quevola?

Que Vola? "What's up?" That's what Cubans like to say when they greet each other.

When he went to Cuba, French jazz trombonist Fidel Fourneyron delved into the world of the Africa-Cuban cult in which the drums, voices and dances all aim at summoning the gods of Africa to purge the spirits of the living.

Fidel and his friend Thibaud Solas assembled a repertoire reflecting the variety of those rhythms and chants and started to compose, superimposing new melodies and arrangements over a sacred Afro-Cuban core.