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Harvard Lectures
Hector Berlioz
Harvard Lectures
Hector Berlioz
Media | Music CD (Compact Disc) |
Number of discs | 13 |
Released | August 17, 2018 |
EAN/UPC | 0190758504728 |
Label | CLASSICAL SYNX19075850472.2 |
Genre | Classical |
Dimensions | 133 × 133 × 36 mm · 355 g |
Track list
-
1. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- First of All...
- Perhaps the Principal Thing...
- Let Me Start...
- This is Not Just a Sentimental Anecdote...
- From This Time...
- But How Do We Investigate...
- Now You Can See...
- Universality is a Big Word...
- Other Linguists...
- I Began by Imagining Myself...
- Well, then I Thought...
- Let's Make a Simple Analogy...
- Maybe Even a Divine One...
- But Where Do These Notes Come From...
- This Acoustical Phenomenon...
- All These Upper Notes...
- The First Overtone...
- But More of That Later...
- But Let's Not Make the Mistake...
- And That's How the Tempered Clavichord...
- Now This is a Substantive Universal...
-
2. CD
- But Let's Be Careful...
- And There is Always That Blue Note...
- But Even These Twelve Tones...
- I Trust You Realize...
- And Again Comes a Great Leap...
- Now This Means...
- This is Not to Say That There Were No Drastic Chan
- But Meanwhile We Are Still in the Golden Age...
- So, We're in the Midst of a Chromatic Adventure...
- And All by Those Progressions...
- Now, I Must Point Out...
- Do You Realize...
- Bernstein, Leonard - Sinfonie Nr. 40 G-moll Kv 550
- 1. Molto Allegro
- 2. Andante
- 3. Menuett: Allegretto - Trio
- 4. Allegro Assai
-
3. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Every Once in a While...
- Last Week...
- Amen, Says Noam Chomsky...
- I Suppose What Chomsky is Really After...
- So, Let's Pull Up Our Socks...
- All Right, Let's Try Another One...
- Why Am I Taking Your Time...
- Well Then...
- I Think It Follows...
- But First, What Are These Principles...
- Transformational Grammar...
- But Now Just Think of That Sentence...
- Since This is Not a Linguistics Class...
- Take the Passive Transformation...
- Well, It Hasn't Brought Us There...
- Good - Now Just As Three Notes Are Linked Together
- Now Let's Go Back...
- Now We Are Ready...
- Now I Want to Take You...
- Well, Transformation, Deletion, Embedding, Pronomi
- I Am Sure I Don't Have to Trouble...
- Here I Go...
- I Have Asked Myself...
- I Became So Fascinated...
-
4. CD
- Let's Take One Such Utterance...
- Now Imagine...
- Now Let's See...
- Mozart's G Minor Symphony...
- Now Our Job Is...
- That Introductory Accompaniment...
- What Does This Three-note Design Mean...
- The Reason I Pick Symmetry...
- Now from Here On...
- And Once Again, We Are Back...
- By Far the Chief Transformational Principle...
- You See, One of the Great Failings...
- Most People Hearing Mozart's Opening...
- So What, You Ask...
- And if You Are Still Not Convinced...
- These Ambiguities...
- For Instance, in This Same First Movement...
- So All These Syntactic Transformations of the Same
- He Talks About This Sonnet...
- Because Now It's Time...
- But Now Let's Listen To...
- Listen to the Whole Exposition...
- Development Coming Up...
- The Circle of Fifths Again...
- And That Was All One Single Sentence...
-
5. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- The Other Day...
- The First Would Show Us One Meaning...
- Think of This Famous Passage...
- A Linguist Would Say...
- Well, I Replied, Chomsky Would Say...
- Of Course, That Last Metaphorical Leap...
- Terrific, Said My Blonde Inquisitor...
- In Fact, when You Think of the Number...
- All Right, First Let's Look Briefly...
- Playing, That's the Word...
- But Does This Stravinskian Game Concept...
- There Are Three Specific Ways...
- Now, Having Defined My Usages of Metaphor...
- And Here We Are in Trouble...
- Are We Feeling What Beethoven Supposedly Felt...
- We Will Never Know...
- Now, if We Accept This General Idea...
- In Our Last Lecture...
- We All Recognize Antithesis...
- It Can & It Does...
- And Again, As in the Poem...
- In Fact, It Has Been Authoritatively Suggested...
- We Can Expand the Idea...
- What Do You Suppose...
- What's Seriously Striking...
- So Why the Pastorale in This Lecture...
- Let's Begin at the Beginning...
- But What of the More Obvious Melodic Material...
- But to Develop How...
- Now We Have an Insight...
- But Wait...
- But Why Were Just Those Two Notes Added...
-
6. CD
- The Metaphor Arises...
- But in the Ensuing Four Bars...
- But That's Not the Main Event...
- Well, That's the Beginning...
- That's One of the Questions...
- This Interference of the Two Frequencies...
- But What Are We to Say...
- It is to Be Found...
- Now That's One Way of Looking...
- At This Point...
- Even if You Can Succeed...
- Bernstein, Leonard - Sinfonie Nr. 6 F-dur Op. 68
- 1. Erwachen Heiterer Empfindungen Bei Der Ankunft
- 2. Szene Am Bach (Andante Molto Moto)
- 3. Lustiges Zusammensein Der Landleute (Allegro)
- 4. Gewitter, Sturm (Allegro)
- 5. Hirtengesang: Frohe Und Dankbare Gefuehle Nach
-
7. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- When I First Wrote Down the Title...
- Part of the Danger...
- The Idea of Ambiguity...
- Similarly, in Our Second Lecture...
- Then What's the Magic Secret...
- Enough of Ambiguity...
- The Irony of All This...
- But, Mind You...
- Where Music Was Concerned...
- Only Think Of...
- And Chopin: Well, We Can't Ignore Chopin...
- And Then, in the Same Little Mazurka...
- Foolish Questions...
- Let Me Try to Read You...
- Listen to This...
- They Began to Intermingle...
- The Pivotal Point...
- So There is a Dramatic Change...
- So It is After All Not So Surprising...
- Now if You Noticed...
- You See, the Music is Trying Hard...
- So That Instant in Musical Time...
- Now Romeo is All Stirred Up...
- Bernstein, Leonard - Romeo et Juliette Op. 17 (Rom
- 1. Romeo Seul: Tristesse - Bruits De Concerts et D
- 2. Allegro - Larghetto Espressivo
- 3. Allegro
- 4. Reunion Des Deux Themes, Du Larghetto et De L'a
- Bernstein, Leonard - the Norton Lectures 1973: Th
- What a Piece...
- Quite Unconsciously Borrowed...
- My Purpose in All This...
- Is It, Says Wagner...
-
8. CD
- Every Diminished Seventh Chord...
- Now the Remarkable Thing Is...
- And This is What Gives Tristan...
- Bernstein, Leonard - Tristan Und Isolde (Oper in 3
- Vorspiel - Liebestod
- Bernstein, Leonard - the Norton Lectures 1973: Th
- That May Be the Slowest Performance...
- But Ultimately...
- Poetry Has Begun to Show...
- And when Debussy...
- It's Lovely, This Dreaming...
- For Example, Do You Remember...
- In Fact, the Ending of This Piece...
- Let Me Show You Briefly...
- This New Episode That Proceeds...
- For Instance, Hardly Have We Had Time...
- Because the Scale...
- It's Almost Exactly What Happens...
- Literally Translated...
- But Notice, Too, That the Example...
- Both Works Have Definitive Beginnings...
- Listen As I Pay...
- Bernstein, Leonard - Prelude a L'apres Midi D'un F
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Some Crazy Modern Music...
-
9. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Our Lecture Tonight...
- Bernstein, Leonard - Rhapsodie Espagnole (Auszug)
- 4. Feria
- Bernstein, Leonard - the Norton Lectures 1973: Th
- What a Way to Enter the Twentieth Century...
- But 1908, if the Truth Be Told...
- These Troubling Presentiments...
- So, Now in 1908...
- This is Atonality...
- A Charming Idea...
- Bernstein, Leonard - the Unanswered Question
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Is That Luminous Final Triad...
- I Have Recently Been Reading...
- We Have Already Referred to Some of Those...
- In Any Case...
- But for All These Reasons...
- Son of Tristan...
- Now You Look at Those First Two Bars...
- Of Course, There Are Lots...
- It's As Though a New Covenant...
- Trouble Is, That the New Musical Rules...
- The Kind of Tonal Feeling...
- Of Course, There Are Those Who Say...
- It Seems Somehow Inevitable...
- Is There Possibly the Beginning...
- And What About Beethoven's Ninth...
- There Are Some of the Problems...
-
10. CD
- Now Let's Jump Ahead...
- Let's Put It Another Way...
- First of All, Berg Chose a Tone Row...
- So, All in All...
- Szeryng, Henryk - Konzert Fuer Violine Und Orchest
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Fantastic...
- It Comes at a Point...
- Szeryng, Henryk - Konzert Fuer Violine Und Orchest
- 2. Allegro, Ma Sempre Rubato
- Bernstein, Leonard - the Norton Lectures 1973: Th
- If This Particularly Demanding Lecture...
- If You Really Have Been Thinking...
- But While Restudying This Work...
- The Twentieth Century...
- What Do You Do if You Know All This...
- It's Very Strange, How the Pieces...
- What Exactly Was This News...
- We Emerge from a Cinema...
- As You Listen to This Finale...
- This is Mahler...
- Bernstein, Leonard - Sinfonie Nr. 9 D-dur (Auszug)
- 4. Adagio, Sehr Langsam Und Noch Zurueckhaltend
-
11. CD
- Bernstein, Leonard - the Norton Lectures 1973: Th
- I Know What You Are Thinking...
- What About This...
- I Am Plaguing You with This Question...
- Of Course What He is Really Talking About...
- But It Was Precisely...
- Now I Have Just Used Two Words...
- In Fact, It Was Satie, Picasso, & Cocteau...
- But Our Scene...
- Even in the Most...
- For Our Purposes...
- Musicologists Are Always Pointing...
- But Bitonality Does Not Only Serve...
- Of Course, Polytonality Can & Does...
- Now What's Going On...
- And While You Are in That Record Shop...
- Of Course, These Asymmetries...
- Brutal It May Be...
- Now, Remember...
- These Are Two Sets...
- Just Cast an Eye...
- Now That Page of Music...
- But the Most Striking Semantic Effect...
- This New Aesthetic Relaxation...
- Even Some Germans...
- You Can See How the Transformation...
- Chomsky Himself Gives a Classic Example...
- Very Important, the Ironic Element...
- So, It Would Seem...
- But This Neoclassic Approach...
- I Think This is Again a Moment...
- It's the Essence...
- If This Poem Were Rewritten...
-
12. CD
- Why Have I Digressed...
- Now Can You Understand...
- Untermeyer Called This...
- Of Course, with the Waste Land...
- But the Thing of It All Is...
- We Are Going to Hear...
- One Has Only Learned to Get...
- Now I Propose Only Because...
- This Union is Possible Only Because...
- But What Has All This to Do with Stravinsky...
- And This is the Essence...
- Look: Here is a Joke...
- Chilling, Shattering, Neoclassic...
- Stravinsky's Own Aesthetic Pronouncements...
- But of Course He Was Forced...
- And Now We Are Finally Reading...
- And then Mozart Appears...
- But This Eclecticism Knows No Bounds...
- Now All This I Had Planned to Tell You...
- You Think That's Funny...
- How About That...
- Then Came the Answer...
- But Why This Particular Misalliance...
- My Words Are Poor...
-
13. CD
- Troyanos, Tatiana - Oedipus Rex (Oratorium) (Gesam
- Prolog: You Are About to Hear a Latin Version of O
- Caedit Nos Pestis (1. Akt)
- Liberi, Vos Liberabo
- This is Creon, Brother-in-law of Oedipus
- Respondit Deus
- Oedipus Questions the Fountain of Truth
- Dicere Non Possum
- Gloria!
- The Dispute of the Princes Attracts the Attention
- Nonn' Erubescite, Reges
- Ne Probentur Oracula
- Ego Senem Cecici
- The Witness to the Murder Comes out of the Shadow
- Adest Omniscius Pastor
- Nonne Monstrum Rescituri
- And Now You Are Going to Hear That Famous Monolog.
- Divum Jocastae Caput Mortuum!
- Ecce! Regem Oedipoda
- Bernstein, Leonard - the Norton Lectures 1973: Th
- Va-le-di-co...
- During That Decade...
- It Was at This Point That I Wrote...
- What Interests Me About It...
- Is It Possible...
- It's As Tough in the Period...
- And I Believe...
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