How to Live on Twenty-four Hours a Day

Publisher Marketing: How to Live on Twenty-Four Hours a Day by Arnold Bennett - How to Live on 24 Hours a Day (1910), written by Arnold Bennett, is part of a larger work entitled How to Live. In this volume, he offers practical advice on how one might live (as opposed to just existing) within the confines of 24 hours a day. In the book, Bennett addressed the large and growing number of white-collar workers that had accumulated since the advent of the Industrial Revolution. In his view, these workers put in eight hours a day, 40 hours a week, at jobs they did not enjoy, and at worst hated. They worked to make a living, but their daily existence consisted of waking up, getting ready for work, working as little as possible during the work day, going home, unwinding, going to sleep, and repeating the process the next day. In short, he didn't believe they were really living. Bennett addressed this problem by urging these "salarymen" to seize their extra time, and make the most of it to improve themselves. Extra time could be found at the beginning of the day, by waking up early, and on the ride to work, on the way home from work, in the evening hours, and especially during the weekends. During this time, he prescribed improvement measures such as reading great literature, taking an interest in the arts, reflecting on life, and learning self-discipline. Bennett wrote that time is the most precious of commodities. He said that many books have been written on how to live on a certain amount of money each day. And he added that the old adage "time is money" understates the matter, as time can often produce money, but money cannot produce more time. Time is extremely limited, and Bennett urged others to make the best of the time remaining in their lives. This book has seen increased appeal in recent years due to the explosion of the self-improvement phenomenon, and the book has much relevance in today's world. Contributor Bio:  Bennett, Arnold Enoch Arnold Bennett, the son of a solicitor, was born in Hanley, Staffordshire in 1867. He was educated locally and at London University, before working initially as a solicitor s clerk, but soon turned to writing popular serial fiction and editing a women s magazine. After the publication of his first novel, A Man from the North in 1898 he became a professional writer and some of his best and most enduring and acclaimed work, including Anna of the Five Towns, The Old Wives' Tale, Clayhanger, The Card and Hilda Lessways followed over the next twelve years. Soon after the outbreak of the First World War, Bennett was invited to join the War Propaganda Bureau, concerned with finding ways of best promoting Britain's interests. He was in good company, as others who contributed to this effort included Conan Doyle, John Masefield, G. K. Chesterton, Sir Henry Newbolt, John Galsworthy, Thomas Hardy, Rudyard Kipling, Gilbert Parker, G. M. Trevelyan and H. G. Wells. Bernard Shaw knew nothing of the Bureau, but attacked what he believed to be jingoistic articles and poems being produced by British writers. Bennett was the one chosen to defend their actions. He served on a War Memorial Committee at the invitation of the then Minister of Information, Lord Beaverbrook, and was also appointed director of British propaganda in France. His spells in Paris added to his reputation as a man of cosmopolitan and discerning tastes. After the War he inevitably returned to writing novels and also became a director of the New Statesman . Bennett s great reputation is built upon the success of his novels and short stories set in the Potteries, an area of north Staffordshire that he recreated as the Five Towns . Anna of the Five Towns and The Old Wives Tale show the influence of Flaubert, Maupassant and Balzac as Bennett describes provincial life in great detail. Arnold Bennett is an important link between the English novel and European realism. He wrote several plays and lighter works such as The Grand Babylon Hotel and The Card . Arnold Bennett died in 1931.