On the Frontier

Publisher Marketing: It was noon of the 10th of August, 1838. The monotonous coast line between Monterey and San Diego had set its hard outlines against the steady glare of the Californian sky and the metallic glitter of the Pacific Ocean. The weary succession of rounded, dome-like hills obliterated all sense of distance; the rare whaling vessel or still rarer trader, drifting past, saw no change in these rusty undulations, barren of distinguishing peak or headland, and bald of wooded crest or timbered ravine. The withered ranks of wild oats gave a dull procession of uniform color to the hills, unbroken by any relief of shadow in their smooth, round curves. As far as the eye could reach, sea and shore met in one bleak monotony, flecked by no passing cloud, stirred by no sign of life or motion. Even sound was absent; the Angelus, rung from the invisible Mission tower far inland, was driven back again by the steady northwest trades, that for half the year had swept the coast line and left it abraded of all umbrage and color. But even this monotony soon gave way to a change and another monotony as uniform and depressing. The western horizon, slowly contracting before a wall of vapor, by four o'clock had become a mere cold, steely strip of sea, into which gradually the northern trend of the coast faded and was lost. As the fog stole with soft step southward, all distance, space, character, and locality again vanished; the hills upon which the sun still shone bore the same monotonous outlines as those just wiped into space. Last of all, before the red sun sank like the descending host, it gleamed upon the sails of a trading vessel close in shore. It was the last object visible. A damp breath breathed upon it, a soft hand passed over the slate, the sharp pencilling of the picture faded and became a confused gray cloud. Contributor Bio:  Harte, Bret Bret Harte (1836-1902) was an American writer whose western stories and poems launched the "local color" school in American fiction.