A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography - Øystein Sjastad - Books - Taylor & Francis Ltd - 9781472429445 - June 28, 2014
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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography New edition

Øystein Sjastad

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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography New edition

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

176 pages, Includes 20 b&w illustrations

Media Books     Hardcover Book   (Book with hard spine and cover)
Released June 28, 2014
ISBN13 9781472429445
Publishers Taylor & Francis Ltd
Pages 190
Dimensions 243 × 167 × 17 mm   ·   560 g
Language English  
Series Editor Woodfield, Professor Richard

See all of Øystein Sjastad ( e.g. Paperback Book and Hardcover Book )