The King of Schnorrers: Grotesques and Fantasies ... with Ninety-eight Illustrations, Etc.

Publisher Marketing: Title: The King of Schnorrers: grotesques & fantasies ... With ninety-eight illustrations, etc. Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Zangwill, Israel; 1894. x. 400 p.; 8 . 012630.g.34. Review Citations: Library Journal 06/01/2003 pg. 176 (EAN 9780486428727, Paperback) Contributor Bio:  Zangwill, Israel srael Zangwill (1864-1926), the foremost Anglo-Jewish author of his generation, chronicled London's Jewish East End in the last decades of the nineteenth century. The son of Jewish immigrants from Latvia and Poland, he was born in Ebenezer Street in London's East End, and Zangwill frequently described his identity as a "Cockney Jew." He attended schools in Plymouth, Bristol, and the Jews' Free School in Bell Lane in London, where he later taught. In 1884, he received a BA degree with triple honours from the University of London and devoted himself to journalism and literature. In 1890, he founded and edited the short-lived comic magazine Ariel, or The London Puck. He wrote sketches, essays, and editorials about Jewish immigrants for a number of British and American periodicals, including the Jewish Quarterly Review, founded by Israel Abrahams (1858-1925) and Claude Montefiore (1858-1938), distinguished Jewish scholars. Israel Zangwill, who tried his hand in various forms of fiction on both Jewish and non-Jewish issues, published numerous short stories, several novels, and plays, including The Melting Pot (1908), which gave rise to the famous metaphor about America as a crucible where various nationalities are transformed into a new race. Under the pseudonym of J. Freeman Bell, Zangwill published together with Lewis (Laurence) Cowen (1865-1942) his first novel, The Premier and the Painter (1888), a political satire that emulated Dickensian humour, but had an entirely original plot. The novel contains some references to the East End slum life. Zangwill also wrote a series of essays on Jewish issues, the most important being Dreamers of the Ghetto (1898), a series of fictionalised biographies of notable Jewish thinkers including Spinoza and Heine. Commissioned by the Jewish Publication Society of America, Zangwill wrote a novel of Jewish life, Children of the Ghetto (1892), which brought him an instant international fame. After the success of Children of the Ghetto he continued to deal with slum issues in his short stories, Ghetto Tragedies (1893, reissued and expanded in 1899) and Ghetto Comedies (1907). After meeting Theodore Herzl, the founder of modern Zionist movement, in 1895, Zangwill supported the Zionism until he created in 1905 his own movement, the Jewish Territorial Organization, whose aim was to promote settlement of Jews in areas outside of Palestine. Zangwill rejoined the Zionist movement following the Balfour Declaration.