Bartholomew Fair. a Comedy. Acted in the Year 1614, by the Lady Elizabeth's Servants. ...

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressT164373Anonymous. By Ben Jonson.[London]: Printed in the year, 1716. 135, [1]p.: ill.; 8 Contributor Bio:  Jonson, Ben Ben Jonson (1572-1637) was an English dramatist and poet, whose reputation amongst playwrights of the period is only second only to Shakespeare's. Although Jonson found little success as an actor, his reputation as a dramatist was firmly established in 1598 with "Every Man in his Humour". This sucess was followed by "Every Man out of his Humour" and the classically influenced satire "Cynthia's Revels." Jonson wrote all of the major comedies upon which his reputation is now based during the period 1605 to 1614.