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'Noh'; Or Accomplishment, a Study of the Classical Stage of Japan. by Ernest Fenollosa and Ezra Pound
Ernest Francisco Fenollosa
'Noh'; Or Accomplishment, a Study of the Classical Stage of Japan. by Ernest Fenollosa and Ezra Pound
Ernest Francisco Fenollosa
Publisher Marketing: Book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1917. Excerpt: ... FENOLLOSA ON THE NOH The Japanese people have loved nature so passionately that they have interwoven her life and their own into one continuous drama of the art of pure living. I have written elsewhere 1 of the five Acts into which this lifedrama falls, particularly as it reveals itself in the several forms of their visual arts. I have spoken of the universal value of this special art-life, and explained how the inflowing of such an Oriental stream has helped to revitalize Western Art, and must go on to assist in the solution of our practical educational problems. I would now go back to that other key, to the blossoming of Japanese genius, which I mentioned under my account of the flower festivals, namely, the national poetry, and its rise, through the enriching of four successive periods, to a vital dramatic force in the fifteenth century. 1 "Epochs of Chinese and Japanese Art," by Ernest Fenollosa. London: Heinemann, 1911. Surely literature may be as delicate an exponent of a nation's soul as is art; and there are several phases of Oriental poetry, both Japanese and Chinese, which have practical significance and even inspiration for us in this weak, transitional period of our Western poetic life. We cannot escape, in the coming centuries, even if we would, a stronger and stronger modification of our established standards by the pungent subtlety of Oriental thought, and the power of the condensed Oriental forms. The value will lie partly in relief from the deadening boundaries of our own conventions. This is no new thing. It can be shown that the freedom of the Elizabethan mind, and its power to range over all planes of human experience, as in Shakespeare, was, in part, an aftermath of Oriental contacts--in the Crusades, in an intimacy with the Mongols such as Marco Polo's, in the ...
Media | Books Paperback Book (Book with soft cover and glued back) |
Released | 2012 |
ISBN13 | 9781150638947 |
Publishers | General Books |
Pages | 42 |
Dimensions | 190 × 239 × 3 mm · 102 g |
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